What Every BODY is Saying: The definitive guide to decoding what their body language is really saying Reviews
What Every BODY is Saying: The definitive guide to decoding what their body language is really saying
Whether you're in the boardroom or in the club, your body is sending signals to those around you. These non verbal cues are called body language and learning to read body language is a skill that can help you succeed in the workplace or flirting in the clubs. Learn the vital secrets that your body language is giving away and how you can read the unspoken messages and emotions that other people give away with their own body language. Get your copy now. You deserve to treat yourself.
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Love in a Dead Language
Love in a Dead Language is a love story, a translation of an Indian sex manual, an erotic farce, and a murder mystery rolled into one. Enticing the reader to follow both victims and celebrants of romantic love on their hypertextual voyage of folly and lust-through movie posters, upside-down pages, the Kamasutra: Game of Love board game, and even a proposed CD-ROM, Love in a Dead Language exposes the complicities between the carnal and the intellectual, the erotic and the exotic and, in the end, is an outrageous operatic portrayal of romantic love.
"Rare is the book that makes one stop and wonder: Is this a literary masterpiece or do I need my head examined? But such is the alternately awe-inspiring and goofy thrall cast by Lee Siegel's Love in a Dead Language. . . . His work stands out as a book that is not simply a novel but its own genus of rollicking, narrative scholarship . . . it is just the cerebral aphrodisiac we need." â€"Carol Lloyd, Salon
"Immensely clever and libidinously hilarious. . . . [T]he most astonishing thing about Love in a Dead Language is its ingenious construction. Insofar as any printed volume can lay claim to being a multimedia work, this book earns that distinction." â€"Paul di Filippo, Washington Post Book World
"Now along comes Lee Siegel, who mixes a bit of Borges with some Nabokov and then adds an erotic gloss from the Kama Sutra to write Love in a Dead Language, a witty, bawdy, language-rich farce of academic life. . . . Whether it is post-modern or not, Love in a Dead Language is pulled off with such unhinged élan by Mr. Siegel that it is also plain good fun, a clever, literate satire in which almost everything is both travestied and, strangely, loved by its author." â€"Richard Bernstein, The New York Times
"Love in a Dead Language deserves space on the short, high shelf of literary wonders." â€"Tom LeClair, New York Times Book Review
1999 New York Times Book Review Notable Book of the Year
Philip Roth has done it. So have Updike and Nabokov. Now Lee Siegel joins the ranks of novelists who write novels that pretend not to be novels at all. Love in a Dead Language, for example, purports to be the work of one Professor Leopold Roth, and comprises both a translation of, and commentary on, the Kama Sutra, as well as the professor's more personal annotations concerning his amorous yearnings for one of his students. Siegel himself appears in a foreword, protesting vigorously that "I would never permit my name to be associated with a book such as this." This squeamishness is understandable when it becomes clear the entire purpose for this translation is to aid Roth in seducing young Lalita Gupta while leading a study group in India. Seduction, betrayal, and eventually death all follow on one another's heels; when Roth rather abruptly dies midway through the "translation," Siegel refuses to finish it and the task is left to a graduate student, Anang Saighal. So now we have yet another author who is not Siegel adding another layer of commentary to both Roth's professional work and his private journals--contradicting, criticizing, footnoting, while at the same time revealing details about his own unhappy life. "Rare is the book that makes one stop and wonder: Is this a literary masterpiece or do I need my head examined? But such is the alternately awe-inspiring and goofy thrall cast by Lee Siegel's Love in a Dead Language. . . . His work stands out as a book that is not simply a novel but its own genus of rollicking, narrative scholarship . . . it is just the cerebral aphrodisiac we need." â€"Carol Lloyd, Salon
"Immensely clever and libidinously hilarious. . . . [T]he most astonishing thing about Love in a Dead Language is its ingenious construction. Insofar as any printed volume can lay claim to being a multimedia work, this book earns that distinction." â€"Paul di Filippo, Washington Post Book World
"Now along comes Lee Siegel, who mixes a bit of Borges with some Nabokov and then adds an erotic gloss from the Kama Sutra to write Love in a Dead Language, a witty, bawdy, language-rich farce of academic life. . . . Whether it is post-modern or not, Love in a Dead Language is pulled off with such unhinged élan by Mr. Siegel that it is also plain good fun, a clever, literate satire in which almost everything is both travestied and, strangely, loved by its author." â€"Richard Bernstein, The New York Times
"Love in a Dead Language deserves space on the short, high shelf of literary wonders." â€"Tom LeClair, New York Times Book Review
1999 New York Times Book Review Notable Book of the Year
Though there's plenty of story in Love in a Dead Language--romance, transformation, and even a murder mystery--a magical delight in language in all its myriad forms is at its heart. From the academese of professional papers to the more intimate epistolary communications between friends, colleagues, husbands, and wives (letters between an earlier translator of the Kama Sutra, Richard Burton, and his wife--who later burned the translation--are included), Siegel--or is it Roth? or perhaps Saighal?--covers the gamut. Readers who love complicated plots, soaring language, etymological puzzles, and academic tomfoolery will have a ball with this playful instance of literary smoke and mirrors. --Margaret Prior
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